Sitemap - 2025 - Chinese Calligraphy Review (中华书法评论)
The “Shadows of Yan’s Hand” on a Dunhuang Scrap
On Authenticating and Interpreting an Anonymous Running-Regular Scroll
The Lines Have Strength; the Structure Needs to Draw In
What, After All, Is Calligraphy?
Where This Huang Tingjian Colophon Looks Right—and Where It Doesn’t
Easy to Imitate Mi Fu’s Look, Hard to Learn His Bone
Text Needs Clarity, Calligraphy Needs Breath
The Merits and Shortcomings of Bai Jiao’s Running-Cursive Letter
A Sheet of Romance, a Scroll of Life
Fu Bi’s “Letter on His Son” and the Old-Cadre Style of Song-Dynasty Calligraphy
Mountains and Rivers Within an Inch of Space
Great Calligraphy in a Letter About Buying Land
An Arc of an Era in a Single Letter
The Look and Coordinates of Cai Xiang’s Running-Regular Script
From “Seamless Continuity” to “Daring Exposed Tips”
The Strength and Warmth in Du Fu’s Calligraphy
When Rule and Spirit Fall Out of Joint
The Mi School in Wang Sheng’s Calligraphy: Inheritance and Self-Creation
The Authentic Mi and the Imitation: Why “Shiyi Tie” Looks More Like A Modern Study-after-Mi Work
One Sheet of Moxibustion, a Page of Clear Breeze
True Skill Revealed in Letters, the Broad Way Shown in Letters
Across Mountain Ranges, No Chance of Seeing One Another
Let Brush and Ink Return to Life, Let Art Grow from Life
When Brush Breaks Zen，Flower Fragrance Bewitches From the Brushwork
When Ink Lightly Falls on Ricepaper, Strokes Will Deeply Touch the Heart
A Millennia-Spanning Attribution
The Su Manner, Employed by Zhao
One Flask of Jing Wine, One Note of True Intent—Freely as One Wishes, Yet Not Beyond the Rule
Breaking Through the Mi Fu Manner to Create a New Order
Calligraphy Is a Way of Life (书法是一种生活状态)
Writing Mirrors the Person：A Caution to the Calligrapher
Wind over Water, Bone at the Core
From the Lineage of the Two Wangs to the Spirit of the Shanghai School (从二王法脉到海派神韵)
A “True Work” Where Bone and Temperament Emerge Together
A Landscape in Ink: Reviewing a Modern Calligraphic Tetraptych
An Appreciation of Huang Tingjian’s Letter of Counsel to His Son, Huang Xiang
On the Edge of the Rule: Wang Duo’s Unrestrained Grace
Decoding the Authentic Through the Imitated
From Natural Writing to Natural Calligraphy
Breathing between Brush and Ink
Breathing Between Antiquity and Modern Aesthetics
The Collision Between Japanese Calligraphy and the Order of Chinese Script
History in Ink, Meaning in Brushstrokes
Between Veneration and Vandalism
Ink Dancing on Silk: Tension, Inheritance, and the Unfinished Journey in Da Yin’s Rnning Script
The Way of Cursive: Between Tension and Release
Exploring Between Wild Abandon and Formal Discipline：A Critical Review of Yu Xuan’s Graduation Piece
The Anticipated “Dengke Style”
Dancing Ink in the Modern Jianghu
Wang Yangming’s Calligraphy and the Philosophy of the Mind
The Paper and Ink Magician: The Clerical Script Art of Lu Jun
Brushstrokes Across Time: The Calligraphy of Xie Zhiliu
An Exploration of Zhang Daqian’s Calligraphy
On the Art of Yu Youren’s Running Script
Heritage and Transformation: Insights from Yu Erke’s Calligraphic Exploration
The Exploration and Return of Tu Xinshi’s Calligraphy
Fu Shan’s Treatise on the Art of Calligraphy
Wang Duo’s Calligraphy: A Distinctive Voice of Ink in the Late Ming and Early Qing
Tracing the Evolution of Hongyi Fashi’s “Three Styles” of Calligraphy
Reflections on the Phenomenon of “Ugly Calligraphy” in Contemporary China
My View of Lin Sanzi’s Calligraphy
Zhu Zhishan Calligraphy Appreciation
Shen Peng’s Calligraphy: A Contemporary Paradigm from Tradition to Innovation
A Survey of the Ten Major Calligraphy Masterpieces by the “Sage of Cursive Script,” Huai Su (怀素)
Yi Bingshou and His Calligraphic Art
Gao Xiang (Dezhi) and His Nine Versions of the Heart Sutra (2012-2024)
Seven typical characteristics of Su Dongpo's calligraphy
On the Calligraphy of Master Hong Yi
A Brief Appreciation of Wang Xianzhi’s Classic Calligraphy Works
Appreciating the Calligraphy of the Daoist of Purity
Wang Duo‘s Calligraphy Appreciation
A Study of the “Second Greatest Running Script Under Heaven”—Draft of a Eulogy for Nephew